الرئيسية / al-Sullam al-munawraq / الدَّرْسُ 13 مِنْ 18
مُقْفَل
The four figures
العَوْدَةُ إِلَى al-Sullam al-munawraqالمَسارُ المَغارِبِيّ · المُسْتَوَى 1 · al-Sullam al-munawraq · الدَّرْسُ 13 مِنْ 18
The four figures
The syllogism · al-ashkāl · ص 27
الْأَشْكَالُ
مسوّدة · بانتظار المراجعة
النَّصُّ بِاللُّغَةِ العَرَبِيَّة عَلَى طَبْعَةِ Jakarta 1434/2013 · تَرْجَمَةُ The Mantiqi، مُسَوَّدَة
عَنْ هٰذا النَّصّ
al-Sullam al-munawraq السُّلَّمُ الْمُنَوْرَقُ
ʿAbd al-Raḥmān al-Akhḍarī (d. 983/1575)
- النَّصّ
- العَرَبِيَّة, نَقَلَهُ The Mantiqi مِنْ هٰذِهِ الطَّبْعَة: Mutūn al-manṭiq wa-l-ḥikma: Īsāghūjī wa-l-Sullam al-munawraq, Dār al-Kutub al-Islāmiyya, Jakarta 1434/2013, pp. 20–32 اعْرِضِ الصُّورَة
- تَتْبَعُ الدُّرُوس
- الدُّرُوسُ شَرْحُ The Mantiqi الخاصُّ، فَصْلًا فَصْلًا مِنَ النَّصِّ نَفْسِه.
- التَّرْجَمَة
- مِنْ عَمَلِ The Mantiqi؛ مُسَوَّدَة.
- المُراجَعَة
- مُسَوَّدَة، بِانْتِظارِ مُراجَعَةِ Ustadh Muhammad Yusuf.
النَّصّ
تَحْتاجُ لُغَةً أُخْرَى؟ «تَرْجَمَةُ Google» تَفْتَحُ المَقْطَعَ فِي التَّرْجَمَةِ الآلِيَّةِ مِنْ Google — مُفِيدَةٌ لِفِكْرَةٍ أُولَى، لٰكِنَّنا لَمْ نُراجِعْها. أَوِ انْسَخِ النَّصَّ إِلَى مُتَرْجِمٍ تَخْتارُه.
اقْرَإِ النَّصَّ كامِلًا بِاللُّغَةِ العَرَبِيَّة →
الأَصْلُ بِاللُّغَةِ العَرَبِيَّة، Mutūn al-manṭiq wa-l-ḥikma: Īsāghūjī wa-l-Sullam al-munawraq, Jakarta 1434/2013
الشَّكْلُ عِنْدَ هٰؤُلَاءِ النَّاسِيُطْلَقُ عَنْ قَضِيَّتَيْ قِيَاسِ
مِنْ غَيْرِ أَنْ تُعْتَبَرَ الْأَسْوَارُإِذْ ذَاكَ بِالضَّرْبِ لَهُ يُشَارُ
وَلِلْمُقَدِّمَاتِ أَشْكَالٌ فَقَطْأَرْبَعَةٌ بِحَسَبِ الْحَدِّ الْوَسَطْ
The figure, among these people, is said of the two propositions of a syllogism without regard to the quantifiers, for with those it is called a mood. The premises have only four figures, according to the middle term.
ص 27
حَمْلٌ بِصُغْرَى وَضْعُهُ بِكُبْرَىيُدْعَى بِشَكْلٍ أَوَّلٍ وَيُدْرَى
وَحَمْلُهُ فِي الْكُلِّ ثَانِيًا عُرِفْوَوَضْعُهُ فِي الْكُلِّ ثَالِثًا أُلِفْ
وَرَابِعُ الْأَشْكَالِ عَكْسُ الْأَوَّلِوَهْيَ عَلَى التَّرْتِيبِ فِي التَّكَمُّلِ
فَحَيْثُ عَنْ هٰذَا النِّظَامِ يُعْدَلُفَفَاسِدُ النِّظَامِ أَمَّا الْأَوَّلُ
Predicate in the minor and subject in the major is called the first figure, as is known; predicate in both is known as the second; subject in both is called the third; and the fourth of the figures is the reverse of the first. They come in order of perfection, so wherever this arrangement is departed from, the arrangement is unsound.
ص 27
الدَّرْس
The (shakl) is the shape of the two of a without regard to their quantifiers; with the quantifiers it is called a mood (ḍarb). There are four figures, by where the stands.
in the and in the : the first . Predicate in both: the second. Subject in both: the third. The fourth is the reverse of the first: subject in the minor and predicate in the major. They come in order of perfection, the first the most natural; any arrangement outside these four is unsound.
المُصْطَلَحات
- الشَّكْلُ al-shakl
- figure: the shape of the two premises
- الضَّرْبُ al-ḍarb
- mood: the figure with its quantifiers
- التَّكَمُّلُ al-takammul
- perfection: the order of the figures
الأَمْثِلَة
حَمْلٌ بِصُغْرَى وَضْعُهُ بِكُبْرَى
predicate in the minor, subject in the major: the first figure
اخْتَبِرْ نَفْسَك
عَدَدُ الأَسْئِلَةِ عَلَى هٰذا الدَّرْسِ 3. بِسِتَّةٍ مِنْ عَشَرَةٍ فَأَكْثَرَ (نَجْمَتَيْن) يُفْتَحُ الدَّرْسُ التّالِي.
السؤال 1
A figure considered together with its quantifiers is called…
Without the quantifiers it is a figure; with them, a mood.
السؤال 2
In which figure is the middle term the subject of both premises?
Subject in both is the third figure.
السؤال 3
The fourth figure is…
“The fourth of the figures is the reverse of the first.”
الدَّرْسُ التّالِي: Conditions and moods of the figures
تابِع ←