الرئيسية / al-Sullam al-munawraq / الدَّرْسُ 17 مِنْ 18
مُقْفَل
The kinds of proof and the certain premises
العَوْدَةُ إِلَى al-Sullam al-munawraqالمَسارُ المَغارِبِيّ · المُسْتَوَى 1 · al-Sullam al-munawraq · الدَّرْسُ 17 مِنْ 18
The kinds of proof and the certain premises
Proof and conclusion · aqsām al-ḥujja · ص 30
أَقْسَامُ الْحُجَّةِ
مسوّدة · بانتظار المراجعة
النَّصُّ بِاللُّغَةِ العَرَبِيَّة عَلَى طَبْعَةِ Jakarta 1434/2013 · تَرْجَمَةُ The Mantiqi، مُسَوَّدَة
عَنْ هٰذا النَّصّ
al-Sullam al-munawraq السُّلَّمُ الْمُنَوْرَقُ
ʿAbd al-Raḥmān al-Akhḍarī (d. 983/1575)
- النَّصّ
- العَرَبِيَّة, نَقَلَهُ The Mantiqi مِنْ هٰذِهِ الطَّبْعَة: Mutūn al-manṭiq wa-l-ḥikma: Īsāghūjī wa-l-Sullam al-munawraq, Dār al-Kutub al-Islāmiyya, Jakarta 1434/2013, pp. 20–32 اعْرِضِ الصُّورَة
- تَتْبَعُ الدُّرُوس
- الدُّرُوسُ شَرْحُ The Mantiqi الخاصُّ، فَصْلًا فَصْلًا مِنَ النَّصِّ نَفْسِه.
- التَّرْجَمَة
- مِنْ عَمَلِ The Mantiqi؛ مُسَوَّدَة.
- المُراجَعَة
- مُسَوَّدَة، بِانْتِظارِ مُراجَعَةِ Ustadh Muhammad Yusuf.
النَّصّ
تَحْتاجُ لُغَةً أُخْرَى؟ «تَرْجَمَةُ Google» تَفْتَحُ المَقْطَعَ فِي التَّرْجَمَةِ الآلِيَّةِ مِنْ Google — مُفِيدَةٌ لِفِكْرَةٍ أُولَى، لٰكِنَّنا لَمْ نُراجِعْها. أَوِ انْسَخِ النَّصَّ إِلَى مُتَرْجِمٍ تَخْتارُه.
اقْرَإِ النَّصَّ كامِلًا بِاللُّغَةِ العَرَبِيَّة →
الأَصْلُ بِاللُّغَةِ العَرَبِيَّة، Mutūn al-manṭiq wa-l-ḥikma: Īsāghūjī wa-l-Sullam al-munawraq, Jakarta 1434/2013
وَحُجَّةٌ نَقْلِيَّةٌ عَقْلِيَّهْأَقْسَامُ هٰذِي خَمْسَةٌ جَلِيَّهْ
خَطَابَةٌ شِعْرٌ وَبُرْهَانٌ جَدَلْوَخَامِسٌ سَفْسَطَةٌ نِلْتَ الْأَمَلْ
أَجَلُّهَا الْبُرْهَانُ مَا أُلِّفَ مِنْمُقَدِّمَاتٍ بِالْيَقِينِ تَقْتَرِنْ
Proof is transmitted or rational; the kinds of the latter are five, clear: rhetoric, poetry, demonstration, dialectic, and the fifth, sophistry — you have reached your hope. The noblest of them is demonstration: what is composed of premises joined to certainty,
ص 30
مِنْ أَوَّلِيَّاتٍ مُشَاهَدَاتِمُجَرَّبَاتٍ مُتَوَاتِرَاتِ
وَحَدْسِيَّاتٍ وَمَحْسُوسَاتِفَتِلْكَ جُمْلَةُ الْيَقِينِيَّاتِ
وَفِي دَلَالَةِ الْمُقَدِّمَاتِعَلَى النَّتِيجَةِ خِلَافٌ آتِ
عَقْلِيٌّ اَوْ عَادِيٌّ اَوْ تَوَلُّدُأَوْ وَاجِبٌ وَالْأَوَّلُ الْمُؤَيَّدُ
from first principles, things witnessed, things tested by experience, things reported by many, things grasped by intuition and things sensed: these are all the certain premises. On how premises point to the conclusion there is disagreement: rational, customary, by generation, or necessary — and the first is the one supported.
ص 30
الدَّرْس
A proof is transmitted (naqlī) or rational (ʿaqlī). Rational proofs are of five kinds, the : , poetry, , and . The noblest is demonstration (burhān): a proof built of .
The are six: (awwaliyyāt), things witnessed inwardly (mushāhadāt), things tested by experience (mujarrabāt), reports by so many that error is excluded (mutawātirāt), things grasped by intuition (ḥadsiyyāt) and things sensed (maḥsūsāt). On how the yield the there are four views — by the intellect, by God's custom, by generation, or by necessary causation — and the poem supports the first.
المُصْطَلَحات
- الْبُرْهَانُ al-burhān
- demonstration: from certain premises
- الْخَطَابَةُ / الشِّعْرُ / الْجَدَلُ / السَّفْسَطَةُ al-khaṭāba / al-shiʿr / al-jadal / al-safsaṭa
- rhetoric / poetry / dialectic / sophistry
- الْأَوَّلِيَّاتُ al-awwaliyyāt
- first principles
- الْمُتَوَاتِرَاتُ al-mutawātirāt
- what is reported by very many
- الْحَدْسِيَّاتُ al-ḥadsiyyāt
- what is grasped by intuition
الأَمْثِلَة
الْكُلُّ أَعْظَمُ مِنَ الْجُزْءِ
“the whole is greater than the part”: a first principle
اخْتَبِرْ نَفْسَك
عَدَدُ الأَسْئِلَةِ عَلَى هٰذا الدَّرْسِ 3. بِسِتَّةٍ مِنْ عَشَرَةٍ فَأَكْثَرَ (نَجْمَتَيْن) يُفْتَحُ الدَّرْسُ التّالِي.
السؤال 1
Which is the noblest of the five arts?
“The noblest of them is demonstration.”
السؤال 2
“The whole is greater than its part” belongs to…
It is known by the intellect alone as soon as its terms are conceived.
السؤال 3
Which view on how premises yield the conclusion does the poem support?
“And the first is the one supported”: the rational view.
الدَّرْسُ التّالِي: Errors in proof, and the close of the poem
تابِع ←